By Aleksandr Aleksandrovich Blok, Timothy C. Westphalen
Aleksandr Blok's Trilogy of Lyric Dramas gathers jointly for the 1st time in English translation the 1st 3 performs by means of Aleksandr Blok, the pre-eminent poet of Russian Symbolism and one of many maximum poets of the 20 th century. the 3 performs that represent the trilogy - A Puppet convey, The King at the sq. and The Unknown girl - are pivotal files within the improvement of modernist drama. In his productions of A Puppet exhibit; and The Unknown girl, Meyerhold first started to paintings the elemental tenets of his method of gruesome and constructivist theatre. furthermore, A Puppet express supplied the muse and lots more and plenty of the basis for Meyerhold's theoretical writings. consequently, those performs are necessary to any scholar of Meyerhold or modernist theatre. The performs are provided within the context of the poetry from which they issued which will recommend how Blok constructed the subjects and motifs of the performs in different genres.
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Additional resources for Aleksander Blok's Trilogy of Lyric Dramas: A Puppet Show, The King on the Square, and The Unknown Woman (Routledge Harwood Russian Theatrearchive)
How white her clothes are! – The emptiness in her eyes! – Her features are pale as marble! – Behind her shoulder – a scythe. – This is Death! Pierrot has heard. Having arisen slowly, he approaches the girl, takes her by the hand and leads her to the middle of the stage. ) PIERROT. Ladies and gentlemen! You are making a mistake! This is Columbine! This is my bride! (General horror. They throw their hands up in horror. The tails of frock coats flap. ) CHAIRMAN. You’ve gone out of your mind. All evening we have awaited certain events.
You closed your eyes without sin. ) SHE. . Someone dark is standing by the column And winks his cunning pupil! I fear you, lover! Let me cover up with your cloak! ) A Puppet Show 29 HE. Look how peaceful the candles are, How dawn has broken in the cupolas. SHE. Yes. Our meetings are so sweet. Though I gave myself to you. (She nestles into him. The quiet dance of the maskers and clowns hides the first pair from the audience. A second pair of lovers bursts into the middle of the dance. In front – she is in a black mask and a swirling red cloak.
If the affinity of Blok’s trilogy of lyric dramas to the work of later dramatists like Pirandello is unmistakable, it should not obscure Blok’s debt to the past, whether to the commedia dell’arte or the legacy of romantic drama. Blok’s interest in metadrama reflects yet another dimension of his reappropriation of the past. By creating discourse in which traditions of the past are made to comment on one another, Blok revivified them, made them new. Just as his appropriation of his own past revitalized his poetic language, so his appropriation of theatrical traditions of the past revitalized drama.